SYP PART THREE PROJECT 5

Project 5: Writing and Text to Create Connections, Understanding and Promotion Consider the role of text or practice of writing in understanding or appreciation of my work by the audience. What role might text or the practice of writing bring to the reception, appreciation of, and understanding of your work by an audience? Considering a […]

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SYP PART THREE PROJECT 4

Exploring Curation Strategies and Creating Content In a conversation with Hans Ulrich Obrist, the co-director of the Serpentine Galleries in 2016, he shared a favourite definition of curating from the English writer J. G. Ballard. He said Ballard told him this in their last conversation, just a few months before he died: “A curator is […]

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Artists’ practice I researched

Anna Hepler (b 1969- ) Hepler was a professor of art at Bowdoin College in Brunswick, but she has lived and worked on an island off the coast of Maine for the last four years. The work below drew me to research this artist more. I hoped to understand why and how she explored with […]

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Considering space as a theoretical framework in the understanding of my making nests with wire

Introductory thoughts During our tutorial session on Part Two of the work, my tutor suggested I delve into Foucault’s ideas on Space and Heterotopias. This was a transformative moment to understand how spaces function and how this will deepen the theoretical underpinnings of my practice and assist in creating a more impactful exhibition. Regarding curation […]

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SYP ASSIGNMENT TWO

Here are a few views of the nest on my studio wall. I can manipulate the form and make the nest fold over itself when I hang it against the wall. Compared to the idea that wire is rigid, I know the material’s ‘floppiness’. A bird nest in nature comes to mind—this form is solid […]

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