Susurrations of the Pines VII (the mended one)
Charcoal and ink on wood, wind-drawn, repaired, with woven palm fibre vessel
This is a story about care and fragments collected for making.
Price: R
Walk the Line
Scroll installation, mixed media, found materials, 2026
The paper scroll became a vulnerable witness to a walk along a decommissioned rail line
Price: R
Para-site
Object made with fibre of found Dodder material (Cuscuta campestris)
Price: R
Susurrations of the Pines I -on-site
Steel circle with drawing materials suspended between pine trees at Kloovenburg Wine and Olive Farm during November 2025 – January 2026.
Price: R
Susurrations of the Pines II. small installation
Two of the circular boards in a new space, I prefer to call the Nonsite. Here are traces and fragments of the records of the wind in the pine forest
Price: R
Folds and marks
Exploring the memory of paper when folded, crumpled, and rolled, and the historic Asian paper traditions, namely Momigami and Jiho. The papers are all circular prints I made in the pine forest during the Installation of Susurrations of the Pines @ Kloovenburg Wine and Olive Farm.
Price: R
A dialogue of contrasts
Xhuan paper scrolls with marks of plant material
Inspired by paper traditions and ways to work with its materiality, this work tells a story of transformation: one captures the organic image on a pristine surface, while the other physically embodies the compressed, weathered nature of a living plant, rubbed into the surface of the paper. In these explorations, the paper vessels and scrolls act as “recording devices” for natural and tactile histories, as a rubbing is inherently an archaeological act—it maps out pastness, ageing, and the “skin” of an environment. Price: R